Julian Hutchens is an Australian visual-effects supervisor known for his work at Rising Sun Pictures (RSP). He was born in Melbourne and grew up with a strong interest in art, science and technology, often building mechanical projects, experimenting with electronics, taking photographs and playing music. His introduction to computer-generated imagery began in high school, where he taught himself early 3D software and created a 3D animated short film in his final year. He studied Multimedia Design, gaining a broad foundation in visual communication, before accepting a government-funded internship at the post-production studio Complete Post. There, he worked as a 3D generalist on commercials and smaller film projects, gaining experience across a wide range of creative and technical departments. Hutchens later moved to London and joined Framestore, where he spent nearly eight years between the London and Montreal facilities. During this period, he worked as a CG Supervisor and Head of Lighting on major studio films, contributing to titles such as The Legend of Tarzan (2016) and serving as lighting and CG supervisor on several other high-profile productions. In 2017, Hutchens joined Rising Sun Pictures in Adelaide. Bringing more than a decade of international VFX experience, he moved into the role of Visual Effects Supervisor. At RSP, he has overseen work on large-scale feature films and television series, guiding teams through sequences that require extensive digital environments, complex CG integration and detailed historical recreation. Among his most notable projects is Elvis (2022), for which RSP delivered more than 160 VFX shots, including large-scale recreations of the Las Vegas Strip and Daytona Beach Boardwalk. His work earned the 2022 AACTA Award for Best Visual Effects or Animation, shared with Tom Wood, Fiona Crawford, Josh Simmonds and Adam Hammond. He also supervised RSP's work on Indiana Jones and the Dial of Destiny (2023), where the studio contributed more than 300 shots, including the 1960s New York parade and subway chase. This work received the 2024 AACTA Award for Best Visual Effects or Animation, shared with Andrew Whitehurst, Kathy Siegel, Alistair Williams and Ian Cope. Hutchens has also received significant international recognition. He earned a Primetime Emmy nomination for Outstanding Special Visual Effects in a Season or a Movie for The Boys (2019), shared with Stephan Fleet, Shalena Oxley-Butler, Kit Greene, Rian McNamara, Tony Kenny, Steve Moncur, Anthony Paterson and Keith Sellers. He received another Primetime Emmy nomination for Loki (2021), shared with Steve Moncur, Christopher Townsend, Allison Paul, Sandra Balej, Matthew Twyford, Chris Smallfield, John Van Der Pool and Kevin Yuille. He has been nominated twice for the Visual Effects Society Awards: for Outstanding Visual Effects in a Photoreal Feature for Indiana Jones and the Dial of Destiny (2023), shared with Andrew Whitehurst, Kathy Siegel, Robert Weaver and Alistair Williams; and for Outstanding Created Environment in a Photoreal Feature for The Eight Hundred (2020), shared with Jamie Macdougall, Mark Honer and David Pekarek. He also received a CinEuphoria Award nomination for Best Special Effects (Sound or Visual) for Elvis (2022), shared with Tom Wood, Fiona Crawford, Josh Simmonds and Adam Hammond.
